Mix Tip: I know this is sort of a cheap mix tip, but because this thing has so many features, it can seem a bit overwhelming at first. Here we give you 7 tips to get your pop vocals sounding crystal clear using plugins from the Waves Horizon bundle + F6.The dual-band de-esser makes it a truly standout plugin for vocal mixing. But in the end, it is up to your ear and personal judgment to decide what style of reverb to use for a given situation.You can get pro-sounding pop vocals with just a few, well-chosen tools and the right know-how. All of the plugins listed here are stellar products that can make your vocals sit smoothly in a mix. Just about every modern recording utilizes reverb on nearly every element from the drums to the vocals.
If necessary, Waves Tune offers an entire suite of parameters to further refine the pitch correction you’ve applied.In addition to correcting vocal takes, Waves Tune and Waves Tune Real-Time can be used as a creative effect. Within Waves Tune, set the key of your song, and then use the Speed, Note Transition, and Ratio knobs to apply varying degrees of pitch correction to your pop vocals. Exactly what I need to sculpt Pop and RnB vocals.Waves Tune is specifically made for correcting the pitch of vocal performances.
Best Plugins For Mixing Vocals Manual Gain Automation
This device seeks to emulate a recording technique used back in the day by recording engineers they would “ride” the level of a fader with their finger, as a vocalist sang, to attenuate loud vocal passages and amplify quiet ones.Using Vocal Rider tightens up my manual gain automation to the point where the vocals I’ve recorded may be usable, dynamically, in a genre like folk. If you get the settings right in Waves Tune, you can create this buttery pop vocal effect yourself.Following up on my manual gain automation, I use Waves Vocal Rider plugin to refine audio levels further. If you do use this creative effect, you may want to apply it later in the processing chain, after your initial EQ and compression stages.In the song “Sunflower” by Post Malone and Swae Lee, you can hear pitch correction being used in a way that sounds “smooth.” The effect hasn’t been applied excessively enough to sound robotic.
It can be used on sources other than just vocals, which makes it an extremely versatile plugin.Subtractive EQ allows you to reduce the energy of frequencies within a specific range this lets you remove many different types of “mud” that can shadow the clarity of your vocals.For example, applying a high-pass filter with a gentle slope around 80-100 Hz can clear up space in the low-end of your mix for other instruments to shine. Some examples of plosive words include “bat,” “pet,” and “kettle.” A pop filter will absorb and disperse bursts of air created by your vocalist.Another creative use for Waves DeEsser involves treating cymbals and guitars with excessive high end. It’s more attuned to deal with plosives, which are bursts of air produced by words using the letters B, P, T, and K. Sibilance is the high-end hissing sound picked up by your microphone when your vocalist pronounces sounds like “ess” or “shh” it can prematurely trigger your compressor, and feel harsh through the speakers.A pop filter doesn’t do much to help sibilance.
When set up correctly, a peak compressor will clamp down on transient material, and leave the rest of the audio signal relatively unaffected.Lights is a pop artist, but she just released an acoustic version of her album Skin and Earth, in which her vocals aren’t compressed very heavily this contributes to the live sound in her song “Until the Light.” While the song is beautiful, it doesn’t sound like a pop recording.The concept of peak compression is simple enough, but there are a couple of factors that come into play that can make your vocals end up sounding worse. They can be used in many different ways, but when it comes to handling raw vocals, peak compression is a go-to processing choice for many engineers. This makes a dynamic EQ a much more transparent sounding processing solution when it comes to vocal resonance.Compressors reduce the dynamic range of audio signals using a threshold-focused design. Due to the fact that the troublesome frequencies you’re trying to deal with may change based on the notes your vocalist is singing, you need an inventive solution.A dynamic EQ, like the F6 Floating-Band Dynamic EQ, will help you target resonant frequencies when they’re a problem, and leave your vocals unaffected when they’re not.In contrast, static EQs don’t work in the same way they apply gain reduction regardless of their input level. Don’t EQ your vocals when they’re soloed because you won’t be able to hear how they’re interacting with the rest of your mix.It’s not uncommon for a vocal to contain some form of resonance this can result from an unbalanced recording room, or the vocal interacting with another element in the mix.
If I need to bring out extra top end, I can modify the high shelf frequency. For example, when you load the plugin onto a track, it applies a 1 dB top-end boost by default, but when you set the low-cut filter’s frequency to 100 Hz, there will be top-end attenuation instead.The thing I like about the EQP-1A is that due to the way the filters interact with one another, I’m able to brighten my pop vocals without making them too crispy. The PuigTec EQ has filters that interact with one another. Some sound more musical than others due to the filter designs. They float above other elements in the song and tend to be “airy.” Other adjectives used to describe pop vocals may include “shiny,” “bright,” or “lush.” To infuse your pop vocals with these characteristics, an excellent place to start is with the application of a high-shelf filter that boosts the top end of your vocals.Not all equalizers (EQs) are created equal. Be mindful as well of the input level into the compressor to make sure it’s not sucking all the life out of the vocals.Most pop vocals are upfront and present in the mix.
In the track “Bon Appétit feat. This means that listeners will often perceive the main vocal and doubles as one wide vocal instead of 3+ separate ones. The doubles are usually offset in time using a delay that’s barely large enough to breach the listener’s echo threshold. To create more separation, you can also filter the duplicate signals.Vocal doubles for Pop music tend to be quite tight when it comes to how they’re lined up with one another. They’ll provide your vocals with that full, ultra-wide sound found on hit pop records.You can create doubles by duplicating your main vocal, panning the duplicates left and right, delaying each one of them by a different value (10-20ms), and then applying pitch modulation.
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